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The Choir and The Positiv

This article covers the controls on the lowest, or first, manual of the console. On our organ, this comprises two divisions, the Choir and the Positiv. These divisions are both located above the right side of the chancel. The Positiv is an exposed division, visible in the front of the chamber. The smallest, therefore highest pitched, pipes in the organ are contained in the Positiv. This division is imitative of an organ of the Baroque period. At least, in the 1960s this is what they thought a Baroque organ sounded like. Thoughts have greatly changed since then. 

It is extremely bright sounding, even to the point of shrillness at times. The pipes speak with a pronounced consonant, known as a “chiff.” This gives a certain clarity to the speech, much as consonants do in human speech.  In the original specs of this organ, the Positiv was called a “floating” division, which meant that the organist would have had to operate a tab stop to assign the Positiv to a specific manual whenever it was to be used.  Fortunately, the builders decided to give it a home, making it a bit easier to find!

Behind the Positiv is the Choir division, which, like the Swell division on the other side of the chancel, is under expression (behind shutters.) In England, the Choir is sometimes called the “Chair,” since it used to sit on the rail of the rear gallery, somewhat like a chair. The softest stops on the organ are here, including a “flute celeste” which can be closed down to become almost inaudible. In the funny little world of organists, stops like these are known as “Communion stops,” for obvious reasons. Some of the most colorful stops on the organ are also in this division, all of them rather quiet. On the old console, these combined divisions consisted of 17 ranks of pipes, controlled by 22 stop knobs. We added a pair of string stops to the Choir, as well as a harp and celesta (!), all digital stops. These new divisions now consist of 33 stop knobs.

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